Auckland-based queer pop artist Jack Panther has released a new single SKI LIFT flowing with alt pop flavours and sharp vulnerability, and a new EP why don’t you come over?

Of the significant personal themes underpinning SKI LIFT 001, Jack says, “Last winter I went skiing for the first time since going with my ex-boyfriend, and so many bittersweet memories came flooding back to me. I remember having an epiphany while skiing that I took so many moments with him for granted. It’s a feeling that I think resonates with a lot of people – nostalgia can hit you so hard and so quickly. Writing this song was so cathartic for me, I had a lot of feelings towards my ex and I think in a way I wrote it to acknowledge these feelings and try to move on.”

The video for SKI LIFT 001 starkly contrasts the raw elegance of the track, with Jack slowly revealed to be bleeding out on the floor from an injury caused by a ski pole. With Jack’s performance emphasising the single’s stirring themes in bold and innovative fashion, the concept for the visualiser came to Jack in a dream, causing a sudden late night text to the clip’s director Devan Narsai.

Of the video’s origins, Jack says, “Devan and I were brainstorming concepts for a while. One night I fell asleep and awoke again at 11:30pm. In my delirious, dream-like state I came up with this crazy, daring concept of bleeding out on a floor. Immediately I texted Devan who happened to still be awake at the time and texted back that he loved it. When filming it I was just so in awe that Devan and I made this unique, wild concept come to life.”

Jack’s new EP why don’t you come over?, is a culmination of harnessing the ups and downs of being in your early 20s
alongside Jack’s ongoing creative evolution, this sophomore EP celebrates healthy lashings of personal narratives, edgy pop and staggering empowerment.

Speaking on the origins of his new EP, Jack says, “It showcases such a different side to me, one that feels kind of badass. Throughout the process of writing the project I was listening to such confident, self-assured music and it rubbed shoulders with me, I guess. For the first time I feel empowered by my own music and I think that’s why I feel so connected to it. I was in the process of moving cities at the time. With so many changes, everything felt like both the world was opening up, yet crashing down on me. In that time I was so forced to look inward, discover more about myself, my identity and the queer
history of people that fought for my right to have a voice. That’s where this project stemmed from, I had so much to say to the people around me and the people before me.”

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